We’ve already seen how Eurostile Bold Extended is spectacularly effective at establishing a movie’s timeframe. But if Eurostile isn’t enough, there’s more you can do to clarify your movie’s timeframe. I’d like to introduce you to six easy rules that are pretty much guaranteed to position your text firmly in the FUTURE.
Read more "How To Make Your Text Look Futuristic"
My third post about typography in sci-fi has been gestating for a while now. Indeed, it’s been slowly taking shape – you might say it’s been forming itself inside of me – for really quite some time.
Read more "Alien"
In addition to the film-specific typographic deconstructions on this site, I’m keeping track of all the times I spot classic sci-fi fonts in movies. What better way to start than with perennial sci-fi favorite, Eurostile?
Read more "Fontspots: Eurostile"
After studying 2001: A Space Odyssey in intimate detail, Duncan Jones’s Moon was the logical choice for my second foray into sci-fi typography. As its opening shot illustrates, Moon is a bleak, lonely, and above all beautiful love-letter to classic sci-fi typography and design. It’s also one of my favorite sci-fi films of all time.
Read more "Moon"