We’ve already seen how Eurostile Bold Extended is spectacularly effective at setting your movie in the future. But what should you do if even Eurostile isn't cutting the mustard? Fear not, fellow futurist – there are still steps you can take when stronger stuff is needed to clarify your movie's timeframe. I'd like to introduce you to six easy rules that are pretty much guaranteed to position your text firmly in the FUTURE.
My third post about typography in sci-fi has been gestating for a while now. Indeed, it's been slowly taking shape – you might say it's been forming itself inside of me – for really quite some time. I'm delighted to say that it is now ready to burst forth from my allegorical chest, and to spatter allegorical typographic blood all over your allegorical faces. Welcome to Typeset In The Future: The Alien Edition.
I'll tell you exactly where we are now. We are in the FUTURE; and we are on the MOON.
After studying 2001: A Space Odyssey in intimate detail, Duncan Jones's Moon was the logical choice for my second foray into sci-fi typography. As this opening shot illustrates, Moon is a bleak, lonely, and above all beautiful love-letter to classic sci-fi typography and design. It's also one of my favorite sci-fi films of all time.
2001: A Space Odyssey – Stanley Kubrick's 1968 sci-fi masterpiece – seems an appropriate place to start a blog about typography in sci-fi. Amongst other delights, it offers a zero-gravity toilet, emergency resuscitations, exploding bolts, and product placement aplenty. It's also the Ur Example of Eurostile Bold Extended's regular appearance in spacecraft user interfaces.