Alien

My third post about typography in sci-fi has been gestating for a while now. Indeed, it's been slowly taking shape – you might say it's been forming itself inside of me – for really quite some time. I'm delighted to say that it is now ready to burst forth from my allegorical chest, and to spatter allegorical typographic blood all over your allegorical faces. Welcome to Typeset In The Future: The Alien Edition.

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Moon

I'll tell you exactly where we are now. We are in the FUTURE; and we are on the MOON.

After studying 2001: A Space Odyssey in intimate detail, Duncan Jones's Moon was the logical choice for my second foray into sci-fi typography. As this opening shot illustrates, Moon is a bleak, lonely, and above all beautiful love-letter to classic sci-fi typography and design. It's also one of my favorite sci-fi films of all time.

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2001: A Space Odyssey

2001: A Space Odyssey – Stanley Kubrick's 1968 sci-fi masterpiece – seems an appropriate place to start a blog about typography in sci-fi. Amongst other delights, it offers a zero-gravity toilet, emergency resuscitations, exploding bolts, and product placement aplenty. It's also the Ur Example of Eurostile Bold Extended's regular appearance in spacecraft user interfaces.

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